Overdue Quick Review: Deadpool

I'll keep this short: Deadpool was loads of raunchy, violent fun, and Ryan Reynolds is perfect as the title character. I didn't see the need to bring in a couple of X-Men characters -- one of whom I've never heard of before and is named...get this..Negasonic Teenage Warhead. But whatever. My grade: A-minus. Let's get back to Ryan Reynolds...

...and to think that since this cover hit the newsstands his career went in the tank a bit. Now he's a star again.

Quick Review: Fantastic Four

Well, another Fantastic Four reboot turned out to be a dud. The Fantastic Four is one of the Marvel properties not under control by their own (as well as Disney) movie studios. 20th Century Fox still has the film rights. This issue hasn't stopped most of the X-Men films from being at least pretty good, but FF turned out to be almost schizophrenic in tone. Whether due to scenes deleted from the script before filming, or re-shoots after -- you can find the reports of the issues with the studio and director Josh Trank if you care -- there are times where a little wit and humor tries to make its way in, only to be smothered by the gloomy reboot of how our heroes got their powers and how they're treated afterwards (in this iteration, the evil forces known as corporate greed and the United States military are heavily involved). That would be pretty shabbily, until they're needed to save the world from Doctor Doom, and how that happened was pretty shabby as well.

Besides that, there was a lot of stupidity over the casting of Michael B. Jordan as Johnny Storm. It basically went like "OMG YOU CAN'T CAST A BLACK GUY AS THE HUMAN TORCH!" Yeah. In 2015...and 2014, when he got the job. (The cast, including Miles Teller, Jamie Bell and Kate Mara, is pretty much wasted, thanks to the script.). Mara, decidedly not black, is Johnny's sister Sue. And what harm was done? None. But I was bothered by one thing. The film also featured their father, played by Reg E. Cathey, an African-American. I thought to myself, early on, "This is nice. They're not making it an issue." A few minutes later it had to be explained, as conversation turns into plot exposition, that Sue was adopted. My grade: D-plus.

Weeks In TV, BTW...

I've decided to stop those weekly summaries of my TV viewing. Besides the fact that it's not like there's a huge audience hanging on my every word, I can't figure out a way to make it consistent. Do I go into huge detail about characters and plots and such? If I did that I'd have to take notes while watching. Also, it would be a pretty brief post when shows are on breaks (as most of them are right now). And it seems like it got repetitive. How many times can I point out the same flaws about "Gotham" from week to week? Anyway, I'm thinking I'll just use Twitter when needed.

Just a couple observations on the shows based on comic books...

I'm really torn about whether to revisit "Gotham" when new episodes return in January. I want it to be successful, but consistent quality just isn't there. They're introducing more and more future Batman villains when they hardy can deal with those they've already established. The crime-of-the-week plots have been pretty dreadful, and so much of the acting ranges from over-the-top to zombie-like.

On the other hand, "Arrow," "The Flash" and "Agents of S.H.I.E.L.D" are killing it right now. The two DC properties are intertwined (there will be more crossovers), yet distinct. "Arrow" has deviated a lot more from its comic book mythology, while "Flash" is more faithful in some ways. Both shows are introducing more characters (in a better fashion than "Gotham"), basically building up their own version of the DC Comics universe -- without, of course, DC's biggest stars. It would be great if they could work these shows into their movie universe, if Warner Bros. can really get that off the ground with "Batman v. Superman: Dawn of Justice." But they've already cast a new Flash for a movie sometime in the future, which is too bad.

Meanwhile, "Agents of S.H.I.E.L.D." has not only its own comic book derivations but an already-established movie universe, and Marvel is apparently using the show to not only tie into their movies, but introducing concepts in the TV show that will carry over to future films. It's a shame they can't get the rights to Spider-Man and the X-Men back, though.

Quick Review: Guardians of the Galaxy

I really need to see more movies. (That would cost money, which I can't really spare in large amounts for movies right now. Help.) Almost half of the movies I've managed to see this year involve Marvel Comics characters. The most recent, Guardians of the Galaxy, presented a dilemma  It's one thing for me to see movies featuring Spider-Man, X-Men and Captain America. I'm at least somewhat familiar with the characters, even if I didn't read their comics. The Guardians of the Galaxy, on the other hand? Never heard of them. And I wasn't that impressed by the trailers.

Fortunately, it was a good movie. Solid, not especially brilliant, mainly due to a pedestrian story that, despite its characters being quite different than typical superheroes, still fits neatly into the Marvel movie formula. However, Chris Pratt was a great fit for the role of Peter "Star-Lord" Quill, abducted from Earth as a child who eventually ends up as head Guardian. And, as we're all aware by now, he buffed up for the role. I can never disapprove of that. My grade: B.

Quick Review: The Wolverine

So, we've had a lot of successful, popular movies in recent years featuring Marvel Comics characters, and one thing that many of these films feature is the scene during or after the credits, setting up a future film. Despite this, so many people left the theater when I saw The Wolverine tonight that it was just shocking to me. Haven't people learned by now? You don't leave a Marvel flick until the surprise in the credits. Too bad for them. Anyway, poor Logan (Hugh Jackman) is living the life of a hermit, tortured by dreams of his deceased love, Jean Grey (Famke Janssen), and by all the death and misery he's experienced. He's tracked down by a woman tasked with bringing him to Japan to see a dying tech company CEO, whose life Wolverine saved when the United States dropped the bomb on Nagasaki. He says there's a way to remove Logan's healing abilities, allowing Logan to finally find peace through death. The story mixes in family intrigue, romantic entanglements, corporate maneuvering...and ninjas. Lots and lots of ninjas. Its's a mostly interesting film, very different from typical superhero-type films until a twist at the end. And don't forget that scene during the credits...My grade: B-plus.

My Week In Comics 6-29-11

I haven't posted anything in a few days. I find myself once again in a bit of a rut with this whole blogging thing -- but at least I'm not backed up with movies to write about. (What, you think I'm going to see that Transformers crap?) I do plan to post about how I spent the 4th of July. If you follow me on Twitter or Facebook you already have an idea. For now, though...

Flashpoint: Lois Lane and the Resistance 1 (of 3)
Flashpoint: Project Superman 1 (of 3): The Lois Lane book was actually released a week earlier but I skipped it. After taking another glance at it I decided to try it. Since everything in this Flashpoint universe is changed, these two books aren't actually related. Lois is still a Daily Planet reporter, but to her disgust she's stuck covering Fashion Week in Paris instead of hard news (along with Jimmy Olsen). Then fate intervenes, in the form of Emperor Aquaman's flooding of western Europe as part of the Atlantean hostilities against Wonder Woman and the Amazons. Olsen is killed but Lois survives and is taken by the Amazons to New Themyscira (the former Great Britain), where she ends up (thanks to her possession of Jimmy's camera) joining the resistance movement. Meanwhile, the Project Superman book takes place in flashbacks, starting 30 years ago, when a U.S. soldier arrives at a secret underground facility in Metropolis (with a certain General Sam Lane in charge), having volunteered to undergo treatments that would give him superpowers. Ummmm...isn't this more of a Marvel thing? Anyway, the goal is to have a powerful hero who can also present himself as normal-looking to the world -- all the better for the good old USA. But things don't quite go as planned, and a few years later our super-soldier is kept locked up in the facility, until meteors crash into Metropolis, and on the last page we see that one of the meteors is actually...you guessed it...a rocket carrying a baby. Which brings up a question: how would the changes in Earth's timeline caused by the Reverse-Flash cause the ship from Krypton to crash-land in Metropolis instead of on the Kent farm in Smallville? This seems more like a random change done for plot purposes, unless the coming DC Universe reboot in September is even more drastic than I imagine.

Batman, Incorporated 7:  Meanwhile, in the unchanged (for now) DC universe, we have a story that doesn't have a lot of Batman. It centers around one of those he inspired, Man-of-Bats, who fights crime on his reservation along with his son, who's called Raven. But unlike Bruce Wayne, Man-of-Bats doesn't have unlimited resources, and the Leviathan criminal outfit is making things on the reservation much tougher.

Quick Review: Thor

This is not a comic book I read, nor am I going to begin now. (For one thing, it's a Marvel character and you've probably figured out by now that I'm way more of a DC person.) But "Thor" was a lot more entertaining than I expected based on the trailer. The plot sort of made enough sense despite its sci-fi leanings. After nearly starting a war, Thor (Chris Hemsworth), god of thunder, is exiled from Asgard by his father (Anthony Hopkins) until he proves himself worthy again. The hammer that gives Thor his power is also sent to Earth, but separately, and with a spell that keeps it from being wielded by anyone unless they're worthy. (So of course Thor needs to redeem himself so he can lift that hammer.) Meanwhile, Thor's brother Loki (Tom Hiddleston) learns something interesting about his heritage and, as you'd expect from the god of mischief, gets to plotting. Back on Earth, a budding romance develops between Thor and a scientist (Natalie Portman) but it isn't all that interesting, and it doesn't actually take up much of the movie's time. It's reasonably well-acted, and moves along at a decent pace. My grade: B.

My Week In Comics 5-4-11 Plus FCBD

I only had one book on my list this week. I was going to head into town on Wednesday, but a few days before that I noticed something on a bus ride to Franklin Mills: a new comic book store. Within walking distance from my house! What this does is give me an option if I can't (or don't want to) go downtown for some reason. So I decided to check out the new store on Saturday, which was 2011 Free Comic Book Day. That's the day when many publishers put out special free issues (sometimes reprints, sometimes not). There was nothing quite as exciting as last year's "zero issue" that kicked off the War of the Supermen. But I did take two free books, the maximum allowed by the store. I hope the store, which has been open for ten months, does well enough to stay open. When I went on Saturday it was really quiet. While I was there a woman came in with a couple of kids, picked up two free books and then left. That was pretty much it.

Superboy 7: This was my one issue actually purchased, and skips ahead to when the Reign of Doomsday (which intervened last issue) is resolved (which will occur in the next few issues of Action Comics) and Superboy is back in Smallville. Alas, he wakes up to a nighmarish situation which, he is told, is his doing. The twist on this story (another of those time-skipping tales with "then" and "now" labels making it a little too confusing) was that it involves a variation of a plant that was a key plot in a classic Superman tale from the 1980s called "For the Man Who Has Everything."

As for the Free Comic Book Day issues, one was a reprint of a Green Lantern issue that tells (or re-tells, since this particular story was originally published in 2008) how Hal Jordan got his ring to begin with. Obviously it's promoting the movie. It also includes a preview of "Flashpoint," DC's latest huge mega-event (starting this week), in which time has been altered somehow (this happens so much!), leading to all kinds of changes in characters in the DC universe. Only Barry Allen, a.k.a. the Flash, remembers how the world used to be and has to find a way to fix things. I'm curious but not extremely excited about this. I plan to buy the main miniseries itself but probably not most of the tie-in books planned -- the ad on the last page lists one in May and a whopping 21 in June.

The other free book I nabbed was a special issue of The Amazing Spider-Man, which seems to be a new tale that's a prelude to a big storyline that's about to start. It was entertaining enough, and there was a little recap of what's been going on in Peter Parker's life recently. For example, it seems he no longer has his spider-sense. Whether it's permanent or not I have no idea, but I hate the thought of a world in which the sentence "My spider-sense is tingling!" no longer has any meaning.

Comic Book Flashback: Brokeback Before Brokeback

A while back, during a dark week where I had no comic books to buy, I mentioned that I was considering re-reading something old and writing a "flashback" post about it. At the time I had a vague thought of writing about "The Death of Superman," since it was that trade paperback collection that got me into this little obsession of mine. I never got around to it, though. Recently, I stumbled upon the news that Marvel Comics had released the first issue of "Rawhide Kid: The Sensational Seven," a four-issue follow-up of sorts to the 2003 miniseries, "Rawhide Kid: Slap Leather." And the seeds for this post were planted.

Now, normally a comic book about cowboys wouldn't be something I'm interested in. In fact, the resurgence of superhero comics in the 1950s led to fewer books featuring cowboys and other non-superhero characters. Marvel's book starring the Rawhide Kid, a creation of legendary Stan Lee, held on until 1979 and the Kid was only seen in a couple of miniseries after that. But in 2003, for the "Slap Leather" mini, the Kid was given a slight character revamp: now he was gay.

And not just gay, but gay. I mean, really gay. He's well-dressed, well-spoken, sophisticated and rather flamboyant. He makes no bones about what he likes. For example, here's what he says when some kids (small-k, as in youngsters) ask him about other famous gunfighters, including the Lone Ranger: