Quick Review (Oscar Edition): Winter's Bone

At the end of this post I'll rank the Oscar Best Picture nominees, now that I've seen them all. The one I had missed, "Winter's Bone," wasn't rereleased to theaters after its nomination, so I had to rent the DVD. (Not only is it the first time I've ever rented a DVD, although way back in the day I did rent VHS tapes, I got it for $1 from a Redbox machine. It would've cost $4.99 for On Demand rental from Comcast.)

The tension-filled "Winter's Bone" mostly held my interest well. I got up just once, to get a drink. (Being able to pause the movie just isn't possible in theaters, dammit!) 17-year-old Ree (Jennifer Lawrence, nominated for Best Actress) is taking care of her mother, younger brother and sister in severe poverty in a rural area. She has to set off on a desperate quest to find her missing father, out on bond after an arrest on meth-making charges; he signed over their house as part of his bail, and if he doesn't show up for court they'll lose the house. The search won't be easy; meth labs are a big business in these areas and those who may know her father's whereabouts, including his own brother (John Hawkes, also a nominee as Best Supporting Actor), keep warning her to keep her mouth shut. I kept waiting for some typical dialogue and action and overacting that we usually get from big-budget Hollywood films. It never came. This is a quiet but rather powerful story. My grade: B-plus.

So, now that I've seen all ten Best Picture nominees, here is how I'd rank them, although my hunch is that "The King's Speech" will actually win the Oscar:

1. Toy Story 3
2. The Social Network
3. Black Swan
4. Inception
5. Winter's Bone
6. The Kids Are All Right
7. 127 Hours
8. True Grit
9. The King's Speech
10. The Fighter

My Best And Worst 2010 Movies

This is probably a little late, since we're two weeks into 2011, but it doesn't really matter since there are probably still a few 2010 movies for me to see, especially if they're Oscar Best Picture nominees. So this may be updated a few times, depending on what I see and how much I love (or loathe) them. And remember, there may be some awesome (or dreadful) movies that I won't see at all unless I happen to catch them on cable or something. For now, though, let's talk about my 10 favorite movies of 2010.

A note: as of now I have one "A" movie and six "A-minus" movies, but I've bumped two of the "A-minuses" ahead of the "A." I discussed this issue here, and though I'm not changing the grades, I've decided to rank them differently. (Also, I have 10 "B-plus" movies and only 3 can make the top 10. Sorry, also-rans! Here's the entire grade list, by the way.)

The top 10 are as follows:

My Week In Comics 7-28-10

We start with the bad, and work our way up...

Batman: The Return of Bruce Wayne 4 (of 6): I alluded to this last week in my comment on the first issue of "Time Masters: Vanishing Point." This series has turned into a train wreck. Bruce Wayne has gone from prehistoric-era Gotham to witch trial-era Gotham to high seas pirate-era Gotham, and now he's jumped through time again and is in the Wild Wild West-era Gotham. And this story involves Jonah Hex. You may remember there was a Jonah Hex movie earlier this summer. It was a huge bomb. So is this book. In the first issue Bruce was incoherent, then was able to speak normally (for the era he was in). In this issue he doesn't say a word. I barely have any idea what's going on and I'm not sure I care.

Gotham City Sirens 14: This book is losing me as well, although more slowly. The last few issues have been tightly focused on one or two of its three stars, meaning the interplay between the three that was so entertaining is mostly missing. Here, Poison Ivy is checking out something interesting at her job at S.T.A.R. Labs, something that turns out to be dangerous. Meanwhile, back at the home they share, Catwoman and Harley Quinn haven't heard from Ivy in a while. They decide to give her a little more time. Then, separately, they get into costume and go looking for her at S.T.A.R. So at least they're all in the same place...

Action Comics 891: We get a look at a few of Lex Luthor's dreams...contrived as they are, as they've been placed into his mind by Mister Mind, an alien telepathic bug. So it's sort of like "Inception" without the different dream levels and Leonardo DiCaprio and Joseph Gordon-Levitt. There's even a cameo by Superman, sort of. It's nice to see some version of Superman in his own book. Suffice to say, Luthor is still on his quest for the power of the Black Lantern rings, and his robotic substitute for Lois Lane is by his side.

Quick Review: Inception

If you're looking for a complex film that will make you think, "Inception" may be your film. Honestly, though, while there's much to like about it, the extreme complexity at times worked against it for me. Leonardo DiCaprio is Cobb, a thief who, because of something that happened involving his late wife (Marion Cotillard), is unable to return to the USA to be with his children. What he steals, it seems, is ideas. With the help of some sort of device and some sort of sedatives, he and his team are able to enter a target's dream and manipulate things in order to learn some piece of information that the target is trying to keep secret. Cobb's team (including Joseph Gordon-Levitt, Ellen Page and Tom Hardy) is hired by a businessman named Saito (Ken Watanabe) to do something different -- instead of taking an idea from someone's mind, implant an idea instead. This is what the title refers to. The target is a rival businessman (Cillian Murphy), and if Cobb and the team are successful, Saito will arrange things so that Cobb can reenter the country and be reunited with his kids. There are various levels of dreams, and time advances more quickly in deeper levels, and...well, I can't do it justice. It is, as I think I've made clear, really complex. It kind of takes a leap of faith to accept everything without wondering about the rules of the dream states that are presented. Also, normally in a film you're rooting for the protagonists to succeed. In this case the protagonists are essentially criminals. As it went on I wasn't sure if I wanted them to succeed or not. Still, it is visually brilliant and well-acted, and the ending is certainly worthy of debate...although just before the very last scene played out, I knew exactly what would happen. My grade: B-plus.