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Showing posts with label Ryan Gosling. Show all posts
Showing posts with label Ryan Gosling. Show all posts

Tuesday, February 12, 2013

Quick Reviews: 43 Gangster Bodies

And we move into 2013 releases (although there are still a few 2012 films I'll try to see, a couple of Oscar Best Picture nominees in particular). I'll discuss these in reverse order of the names in the title.

With the "Twilight" films finished, Hollywood brings us another version of the strange-love-between-human-and-other genre, Warm Bodies. Instead of human girl-vampire (or werewolf) romance, we have human girl-zombie romance. After some sort of apocalyptic events (cue the USA Today with the front page headline "The End?" that I swear I've seen in multiple films), zombies wander around in search of human flesh and brains to eat. One such zombie, R (Nicholas Hoult), narrates, explaining that he can't remember his full name or anything of his life. The zombies can barely grunt and moan, let alone communicate. Meanwhile, the survivors have fortressed (is that a word?) themselves and occasionally send out scout parties of young people to find medicine and other items in short supply behind the giant walls. On such a run, Julie (Teresa Palmer) is nearly caught by a zombie pack until being rescued by R, who became smitten with her instantly. R begins to regain some humanity as he falls for her, but her father (John Malkovich) is convinced there's no way a zombie can recover, so...see what we have here? R and Julie...Romeo and Juliet. Spoiler alert? (I didn't come up with that on my own, to be honest.) At any rate, there's some humor and cleverness to it. Certainly more than in the "Twilight" films. My grade: B.

Gangster Squad is almost like a cartoon. That's not really meant as a compliment. The story of a war between a mob boss and a police unit (loosely based on an actual squad) that's kept "off the books" so they can do things regular cops can't do, such as shoot and kill an unarmed mobster, in 1949 Los Angeles is a violent but simple story, with characters that are pretty much walking cliches. Ryan Gosling (as a cop) seems to be having a ball, but Sean Penn (as the mob boss, Mickey Cohen) brings nothing but histrionics. As good as Penn was in "Milk," that's how awful he is here. And Emma Stone as Cohen's girlfriend, who falls for Gosling's character, isn't at all believable in the role. This grade would be lower without Gosling. My grade: C.

As for Movie 43, after sitting through over a dozen gruesomely awful, disgusting, not remotely funny tales tied together by a movie pitch, featuring all kinds of big names (Hugh Jackman, Kate Winslet, Halle Berry, Terrence Howard, just to name a few), just after the credits began to roll, there was one final story, in which an animated cat is jealous of the girlfriend (Elizabeth Banks) of his owner (Josh Duhamel). You might be happy that it includes pictures of Duhamel in a swimsuit, until you see said animated cat masturbating while looking at the photos. Every one of these stars should apologize for this garbage. The only person who didn't leave a negative impression on me was, believe it or not, Snooki. Of course, that's because, in the barrage of excrement that was this waste of celluloid, I didn't even notice Snooki until her name showed up in the credits. My grade: F.

Saturday, November 26, 2011

Quick Review: The Ides Of March

Did you know politics is a dirty, cutthroat business? If you didn't, first check yourself for a pulse. Then watch a few hours of MSNBC, Fox News, etc. before you see "The Ides of March" so you won't be too shocked by what goes on. The film takes place in the days leading up to the Ohio presidential primary, and the Democratic race is close. Oh, and George Clooney, whose Mike Morris has a slight lead, is the governor of Pennsylvania. If only art imitated life. Morris is charismatic and very much progressive -- sort of a combination of Bill Clinton and Barack Obama. Ryan Gosling plays Morris' junior campaign manager, a budding political genius who is all about making a difference. Philip Seymour Hoffman is the senior campaign chief and much more cynical. Then events occur that turn things all topsy-turvy. Some are the work of the opposing campaign manager (Paul Giamatti), some the work of Gosling's and Hoffman's characters, some are caused by a Morris campaign intern (Evan Rachel Wood). Did someone say "intern"? Uh-oh... Anyway, I wasn't quite blown away by this movie. It's entertaining, sometimes more realistic than you'd expect, other times a bit too far-fetched. Solid but not spectacular, although it might get some love when awards season begins. My grade: B.

Monday, October 17, 2011

Quick Review: Drive

Talk about quiet intensity. "Drive" at times meets that definition (although it's still quite intense when action and violence are filling the screen). There are some periods where the dialogue is sparse, but the mood is captured by the actors. Continuing on a hot streak is Ryan Gosling, who works in a garage and sometimes gets work as a Hollywood stunt driver -- and also sometimes gets work as a getaway driver. The garage owner (Bryan Cranston) has a plan to get Gosling's character into NASCAR, but needs money to do it, and gets it from a mobster (Albert Brooks -- yes, that Albert Brooks). Gosling's Driver (with no name -- the Driver is all he's identified as) slowly becomes involved with a young mother (Carey Mulligan), until her husband gets out of prison, and then trouble ensues. It will be interesting to see if Gosling can get an Oscar nomination for this film. I think he's deserving but this might be too off-putting a film for some Oscar voters to give it a fair shake. My grade: A.

Friday, August 12, 2011

Quick Reviews: Potter 7.2, Crazy Stupid Love, Rise/Planet of the Apes

Five movies over the last two weeks. I've let this go way too long and can't motivate myself to write separate posts for each of these, so I'm doing this in two posts.

Harry Potter and the Deathly Hallows, Part 2: Pretty much everything you'd expect from the final Potter movie, even if you didn't read the books. One of the hyped moments was the first kiss between Ron and Hermione, but what I really liked was their immediate reaction once the kiss was over. My grade: B-plus.

Crazy, Stupid, Love.: Why do we need, two commas and a, period in the title.? Very good, made me laugh, a little contrived, a plot twist near the end caught me completely off-guard (although some apparently guessed it in the trailer). Ryan Gosling: yum. My grade: B-plus.

Rise of the Planet of the Apes: I've dubbed this a preseboot: a prequel/sequel/reboot of the franchise. Technically it's only a reboot but this is my word. I like that it gave a plausible explanation of how the "rise" actually starts, and how the story makes you root for the apes to win. James Franco's talent is kind of wasted, though. My grade: A-minus.