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Showing posts with label Professor Moriarty. Show all posts
Showing posts with label Professor Moriarty. Show all posts

Wednesday, August 17, 2011

My Week In Comics 8-10-11

Winding down to the end of the old DC Universe. Just two weeks of issues left after this. But first, a non-DC book that actually was issued a week earlier. The store I had gone to then didn't have it, so I had to wait...

Moriarty 4: So the back of the book reveals that this isn't the end of a four-issue miniseries, but just the end of the storyline, with more adventures starring Professor Moriarty to come in the fall. And my one suspicion, that at the end of this tale Moriarty would have to confront the thought-to-be-dead Sherlock Holmes, sort of comes true. Yay me.

DC Retroactive: Superman - The '80s 1 (of 1): The reprinted story features Superman being confronted by a being called Destiny, who teaches him that just because he can help everyone, he shouldn't always do so. You know, one of those "mankind becomes stronger by fighting their own battles" blah blah blah stories. The new story brings this Destiny character back -- to try and make Superman choose between two future paths, neither of which are very palatable, with the tactic of showing Superman "future" events such as "Identity Crisis" and "Blackest Night" and, of course, his temporary death in battle against Doomsday. (Remember, this is set in the 1980s.) But if he really wanted to show a bleak future, Destiny could have shown Superman his mopey walk across the country.

Teen Titans 99: I wasn't so thrilled by the last issue, in which Superboy-Prime returned. I wasn't going to buy this, but I started looking through it in the store and sort of got suckered in. Dammit. I suppose I'll have to buy the last issue now.

Thursday, July 14, 2011

My Week In Comics 7-6-11

Let's get right to this...

Flashpoint 3 (of 5): DC Comics continues to hype their coming final blow to their business reboot as well as selling "Flashpoint" and its tie-ins. One thing they're saying is that some of the changes occurring in September are being hinted at or previewed in "Flashpoint." A badly-hurt Barry Allen makes that point early on in the 3rd issue of the main series: "If we don't fix this soon...I won't even realize it's wrong." Yes, but we will. Anyway, Barry makes a speedy recovery and finally convinces Batman to help him get as much of the old gang -- the Justice League -- together again. So much has changed, but since Barry learns that a rocket ship crashed from outer space years ago, he knows that somewhere out there, there's a Superman. We knew that because of the "Project Superman" tie-in book that came out a week earlier. And since events in that book take place in flashbacks and the first issue ended with the arrival of the rocket from Krypton, this book lets us see what Superman is like now (and, gruesomely, the status of Krypto).

Flashpoint: Batman Knight of Vengeance 2 (of 3): Meanwhile, in the Batman tie-in, we learn that in the Flashpoint universe there is an Oracle in Gotham, but it's not Barbara Gordon. And in a stunning and tragic sequence, we learn the identity of this world's Joker. And that is one of the most surprising and entertaining reveals I've read in a book in a while.

Superboy 9: Again, not that it matters, since everything changes in a couple of months, Superboy faces off against the Hollow Men and learns that his ally is not who he appears to be. And we learn the true mission of the from-the-near-future Psionic Lad...I mean, Psion. He changed his name. But it doesn't matter since he probably won't exist in the new DC universe.

Moriarty 3 (of 4): The "to be concluded" note on the last page solves the mystery of how long this series will last. The mystery of exactly what the threat to London (and/or the world) entails is a bit clearer, I think. Took me two reads to come up with a guess. Moriarty also "catches up" with Inspector Lestrade, using him to deliver a message to Dr. Watson. With one issue left, it remains to be seen whether or not Moriarty's presumed-dead nemesis will make an appearance. My money's still on "yes."

Saturday, June 18, 2011

My Week In Comics 6-8-11: A DC-less Preview

It was an interesting week in a couple of ways. First of all, I bought no DC comics. None of my regular books were out, and I wasn't interested in any of the "Flashpoint" tie-ins. Considering DC's pending reboot and my disdain for, and concern about, much of it, this could happen much more often come September. Perhaps even weekly. Since my last post, DC put out its word on the Superman books, and at least two of them -- the books starring Superboy and Supergirl -- are very likely off my purchase lists. I haven't decided on the Action Comics and Superman books yet. There's also been confirmation that the Lois Lane-Clark Kent wedding will no longer exist in the new order.

And there was this piece of information that is just going to lead to a lot of confusion some day, when future stories are being planned out. Many of the events that have happened in recent years are still going to be considered to have taken place, in the timeline that DC has built for itself:

DC confirmed that stories like Blackest Night, Brightest Day, Identity Crisis, Death in the Family, and Killing Joke are still part of the DCU history. In fact, editors said, some events in those stories are specifically referenced in September.
So they will have to explain how Barbara Gordon is no longer paralyzed, I suppose? The thing is, if the characters are supposed to be younger (after all, they want to try and get young people to buy into the new continuity), how can so many of these events have happened in such a brief period? Word is that while most books are set in what the story calls "contemporary times," two books -- "Justice League" and "Action Comics" -- are set at the "dawning of the age of superheroes," which, from one report, is only about five years earlier. And "Identity Crisis" was, in part, about superheroes' families being in danger after one wife is murdered (and their actions as a result). A major plot twist turns on a past event that some characters kept secret from others. If at least some of that history is gone, if some of those relationships (such as the Lois/Clark marriage) don't exist now, then how does the rest of the story make sense? I'm just not sold on any of this.

So on to the two books I did buy...

Friday, May 20, 2011

My Week In Comics 5-11-11

I mentioned one of these last week, because it was previewed in DC's Free Comic Book Day giveaway. So let's start with that.

Flashpoint 1 (of 5): As I mentioned, the world has suddenly changed and only Barry Allen, a.k.a. the Flash, is aware of it. Except, because of one specific event that was changed, he isn't Flash now. So he has to actually drive to get around. Poor Barry. Now he's living in my world. Except he can drive and I can not. Ummm...where was I going with this? Anyway, Barry's headed to Gotham City to find Batman, the only hero he knows for sure still exists. Except Batman is...well, that would be a spoiler -- although if you go online, you'll find out anyway. That big Bat-twist is one of the best things about this story. I still feel like this is just a variation on the many stories involving alternate timelines, though. There are characters who are different, there are apparently a few new characters, and if you believe the hype there will be lasting repercussions after this story plays out. There always are.

Superman 711: Superman's in Vegas to do some gambling, take in some shows, and...no, wait, he's still wandering across America, and is in Utah when an emergency signal (signal watch, that is -- hey there, Jimmy Olsen) brings him to Vegas and a confrontation with Livewire. In a nod to earlier continuity, there's a cameo by an outfit Superman had to wear for a while a few years ago when he...wasn't quite himself, power-wise. The last couple of issues of this "Grounded" storyline have gotten a lot better, but I'm glad it will finally end in just three more issues.

Batman, Incorporated 6: Speaking of getting back on track, after the last two issues telling a very convoluted tale, this issue is back-to-basics, explaining a lot about how Bruce Wayne wants Batman, Inc. to function and how he wants the world to perceive it, as well as setting up what major threat Batman, Inc. is about to battle. It's full of good stuff, with appearances by many Bat-characters, a criminal called "Emoticon Man," a worldwide "flashcrime" event (you know about flash mobs? This is a criminal version)...and Bruce Wayne in a