Quick Reviews: Gift For Ricki's U.N.C.L.E.

Fun with post titles...

A key plot twist in The Gift was somewhat spoiled in the trailer. This seems to be happening more and more, and I find it a terrible way to sell a movie. The good thing about this movie, at least, was that there were twists following it. Married couple Simon and Robyn (Jason Bateman, Rebecca Hall) have relocated to Los Angeles because of his new job. While shopping they run into Gordon (Joel Edgerton, who also wrote and directed it), aka "Gordo," a (barely remembered) former high school classmate of Simon's. Gordo begins dropping by their home unannounced, usually dropping off gifts. Robyn thinks he's just socially awkward while her husband thinks it's creepy. Things begin to deteriorate. As I said, there were a surprising number of twists and turns that kept me entertained to the end. But the reveal in the trailer, that Simon knows more than he lets on, took away some of the thrill. Plus, Simon -- even at the very start -- comes off as kind of a dick anyway. My grade: B-plus.

Then there's Ricki and the Flash -- which is, sadly, not about this guy...

...but about Ricki, an aging rocker (Meryl Streep) who left her family to take a shot at stardom and ends up playing a regular gig with her band, The Flash, at a little bar in California and working checkout at a market. Then she's summoned home to Indianapolis by her ex (Kevin Kline) due to a crisis involving her daughter (Mamie Gummer, Meryl's daughter). This just strikes me as a vanity project so Meryl and her daughter could play mother and daughter, and so Meryl could sing (both classic stuff and modern hits such as "Bad Romance" -- Meryl does Gaga!) It has some good moments but it's pretty predictable fluff that all wraps up in a neat little bow at the end. And if I'm being honest...which I am, so why do I need to say that? I blame Simon Cowell for saying it on "American Idol." I got it from him. Anyway, I'm rambling...the best acting in this film was done NOT by Meryl but by Rick Springfield, as Ricki's bandmate and would-be lover. My grade: C-plus.

As for The Man from U.N.C.L.E., the big-screen adaptation of the TV series which ran for four seasons from 1964-68, my big question is...why? A TV series that hasn't been in prime time in nearly 50 years is made into a movie and fell well short of the rather modest box office predictions. Did the studio really think anyone under, say, 40 (to be generous) would go and see this? It's set in 1963 and features, just like the TV show, a team-up of American (Henry Cavill) and Soviet (Armie Hammer) spies to thwart a nuclear threat from Nazi sympathizers.

Pick your favorite tag line:
a) A Brit playing an American and an American playing a Russian!
b) Superman and the Lone Ranger save the world!

It's not a bad film. It breezes merrily along, the banter is witty, there's some action and some humor and the boys look good and eventually learn to trust each other. I just can't wrap my head around why it was necessary. My grade: B-minus.

#EverySimpsonsEver -- Day Eleven

Really. It's almost over. One more day after this. (I repeat: stop applauding!)

MUST-SEE!

8/31 12:00 AM ET “The Greatest Story Ever D’ohed” -- The Simpsons join the Flanderseseses on a trip to Jerusalem. Guest stars Sacha Baron Cohen, but not as Borat or Bruno or Ali G.

8/31 5:00 AM ET “MoneyBART” -- Lisa becomes the coach of Bart's Little League team and, using sabermetrics, the team starts winning. Notable for a very unusual opening couch gag from the artist known as Banksy.

8/31 7:30 AM ET “The Fight Before Christmas” -- Formatted more like a Halloween special, with four different Christmas-related dreams, including one with Martha Stewart and another with Katy Perry in a live-action segment featuring the Simpsons characters as Muppet-esque puppets.

8/31 9:00 AM ET “Flaming Moe” -- Not to be confused with "Flaming Moe's," this is one more super-gay-gay-gay episode. With the help of Waylon Smithers, Moe's Tavern becomes Mo's, a trendy gay bar. If you've ever wanted to see Homer and Marge voguing, this is your episode.

8/31 8:00 PM ET “The D’oh-cial Network” -- Lisa creates SpringFace, a social networking site. Featuring a couch gag with David Letterman and a brief bit at the end with Armie Hammer as the Winklevoss twins (just like in "The Social Network"). They're competing in a rowing event at the 2012 London Olympics...against the Bouvier twins, Patty and Selma.

8/31 9:30 PM ET “At Long Last Leave” -- The 500th episode, in which the residents of Springfield vote to evict the Simpsons from the town.

MEH. M-E-H, MEH.

8/31 1:00 AM ET “Chief of Hearts”

8/31 4:00 AM ET “Elementary School Musical”

8/31 4:30 AM ET “Loan-a Lisa”

8/31 6:30 AM ET “The Fool Monty”

8/31 7:00 AM ET “How Munched Is That Birdie in the Window?”

8/31 8:00 AM ET “Donnie Fatso”

8/31 8:30 AM ET “Moms I’d Like to Forget”

8/31 9:30 AM ET “Homer the Father”

8/31 1:00 PM ET “The Real Housewives of Fat Tony” -- Fat Tony marries Selma, making her Selma Bouvier-Terwilliger-Hutz-McClure-Stu-Simpson-D'Amico.

8/31 4:30 PM ET “Replaceable You” -- I can't, for the life of me, remember anything about this episode. Even after reading the Wikipedia entry, reading that Jane Lynch appeared in it, I can't remember it at all. Hey, maybe it's a brilliant episode. But I'm gonna say...no.

8/31 7:00 PM ET “Holidays of Future Passed”

8/31 7:30 PM ET “Politically Inept, with Homer Simpson” -- With the utterly repugnant Ted Nugent.

Quick Reviews: Five More...

Oops, I did it again. Procrastinated on writing about the movies I've seen, that is. I guess all that writing for "Man of Steel" took a lot out of me...no, just the usual issues. Anyway, here are the most recent five:

The Bling Ring is based on a true story about shallow, vapid young people robbing the homes of shallow, vapid celebrities such as Paris Hilton -- celebrities so shallow that they tended to leave the doors to their homes unlocked, which made it much easier for the burglars. I can think of no further proof of the utter shallowness of Paris Hilton than the fact that not only did she cameo in the movie, but allowed the filmmakers to film the scenes of the robbery of her house at that very same house. The movie made no points, taught no lessons, and doesn't even function as a pseudo-documentary. My grade: D.

World War Z was just odd. It felt like a mashup of different genres -- science fiction, disaster film, horror -- and it all didn't blend well for me. And Brad Pitt as an action hero didn't connect with me either. Also, I hate that the film started out in Philadelphia, where Pitt's character's family lived, but was obviously filmed elsewhere (London, if I recall). Even the skyline didn't look like Philadelphia. My grade: C-plus.

Monsters University is a prequel, focusing on the first meeting of Mike and Sully at college. When Pixar's followed up on previous films they've been good (both "Toy Story" sequels) and bad ("Cars 2," from what I've heard). This one is okay, but it doesn't bode well for other planned sequels, including one for "Finding Nemo." Pixar needs to focus on original stuff again and leave sequels and prequels to Disney's direct-to-DVD products. My grade: B.

When I get excited about a movie based on its trailer, I am always concerned about a letdown. Thankfully, there was no letdown from The Heat, the Sandra Bullock-Melissa McCarthy mismatched-buddy-cop (well, cop and FBI in this one) action comedy. Lots of humor, foul language, violence -- but heart as well. Bullock and McCarthy work very well together. My grade: A.

The Lone Ranger has Armie Hammer in the title role, but make no mistake, the masked man's the straight man for Johnny Depp's shticky Tonto. The Ranger is more of a dolt than a hero, and it all strained my credulity. It got a surprising amount of laughs from others in the theater, but I mostly sat there sighing and rolling my eyes as it went on and on, interspersed with a ridiculous framing sequence featuring an elderly Depp-as-Tonto telling the story to a little boy at a traveling circus. My grade: D-plus.

Quick Reviews: Pre-Summer

So I've got seven ticket stubs here, for movies I've seen as recently as a week ago and as long ago as April 7th. I was still a young 49 then. Since three of the movies were released at the start of the big summer season (in other words, when "The Avengers" came out), I'm going to just throw the other four into this post and be done with them.

The Cabin in the Woods: A little overrated. The trailer hinted at a much more snarky twist, and didn't exactly pull through. But I did sort of appreciate the ending. My grade: C-plus.

Mirror Mirror: A lot of silliness and overacting. And, while Armie Hammer is pretty, he has weirdly shaped chest hair. I hope it was just for this movie and not how his chest always looks. My grade: C-minus.


Friends With Kids: Enjoyed it quite a bit. Smart and clever. My grade: B-plus.

The Three Stooges: Apparently there was a surprise musical bit after the credits. I didn't stay that long. This was almost as bad as I thought. I think they were going for a "Brady Bunch Movie" kinda thing, but these are the wrong characters to do that with. Credit for just about perfect impersonations of Moe, Larry and Curly, though. My grade: D-plus.

Quick Reviews: J. Edgar, Muppets, Puss in Boots

Blogging for me is in fits and spurts right now. Either I have to be really inspired or it has to be something quick (such as those featuring a photo or two), and my lack of time (due to work and other issues) makes it worse. As far as these movie posts are concerned, I finally decided that I'm just not going to get to separate posts for these right now. So...

J. Edgar: The story (more like a psychological profile) of infamous FBI director J. Edgar Hoover is well-acted but the jumping back and forth in time made it much too disjointed. I read lots of comment about Leonardo DiCaprio's makeup for Hoover's latter days but to be honest I thought the makeup job done on Armie Hammer was worse. My grade: B-minus.

The Muppets: I loved the old Muppet Show and enjoyed this movie, but it was a bit too much of an exercise in nostalgia to be truly spectacular. I appreciate Jason Segel's efforts in getting the Muppets back on the big screen, but somehow I felt this didn't quite fully win my heart. The best celebrity cameo (and one that got quite a reaction from the audience) was by Jim Parsons as...well, I won't spoil it. My grade: B-plus.

Puss in Boots: It took weeks but I finally got to see this yesterday. Spinning Puss (voice of Antonio Banderas) off from the Shrek films wasn't a surprise, but stripping the film of the "Shrek" barrage of pop-culture references was. It was a wise decision. But why didn't anyone tell me they used a Lady Gaga song in the film? I might have seen it sooner. My grade: B-plus.

Quick Review: The Social Network

For a film that has no chase scenes or buildings blowing up, "The Social Network" is surprisingly energetic. If you're looking for it to be the completely true story of the creation of Facebook, you're out of luck. It's structured around depositions in two different lawsuits against co-creator and co-founder Mark Zuckerberg (Jesse Eisenberg). In one, Harvard rowers and identical twins Cameron and Tyler Winklevoss claim that Zuckerberg stole their idea for a website to allow Harvard students to connect with each other. (One twin is played by Armie Hammer, and the other by Josh Pence's body with Hammer's face and voice digitally added -- weird! And impossible to notice, at least for me.) The other suit was filed by his best friend, Eduardo Saverin (Andrew Garfield), whose algorithm was used by Zuckerberg in the creation of "The Facebook," which started with Harvard and then moved to other schools (and eventually to all of us, of course, losing the "The" in the process). His shares in the company were reduced from one-third ownership to less than one percent after Sean Parker (Justin Timberlake), creator of Napster, was brought into the company by Zuckerberg. None of the principals were involved with the movie, whose screenplay (by Aaron Sorkin of "West Wing" fame) was based on the book "The Accidental Billionaires" by Ben Mezrich. It tries not to take sides so it's up to the viewer to decide, for example, if Zuckerberg is an insensitive jerk and a lying thief or merely a misunderstood genius. (Although it pretty much paints "the Winklevi," as Zuckerberg refers to the twins, as entitled snobs, and Parker as a party animal whose new friendship with Zuckerberg ends up destroying Zuckerberg's friendship with Saverin.) In a movie that's well-acted throughout, Eisenberg is the biggest revelation here. He is extremely successful in breaking out of that sensitive-soft-voiced Michael Cera mold. Cera himself made a start, but only a start, in breaking his own mold in playing Scott Pilgrim. He should take on a more challenging role, as Eisenberg has done here. My grade: A-minus.