Quick Review: Man Of Steel

This is a not-so-quick read, actually.

If you've read this blog in the past, back when I used to post a lot more (and yes, I'm going to keep making the point that my lack of posts has been an abysmal failure of mine), you know that I am wayyyyyy into Superman. The comic books, the animated films and series, the TV series and, of course, the movies. The comic books, lately, I've put aside. My disdain for the changes foisted upon Superman's character by DC Comics when they rebooted their entire universe caused me to pretty much stop buying the books. That's not to say I haven't bought any comic books; there are the Simpsons and Futurama titles, and other things I've dabbled in, including some other DC titles. (I'll have to summarize all of that somewhere. There's over a year's worth of purchases so I won't really summarize them as I used to.) But as for the main Super-titles, I haven't purchased them.

Still, I am all for Superman, when done right. So geeked was I for Man of Steel, the latest big-screen attempt to cash in on Kal-El's popularity, that I not only purchased a ticket in advance (which I never do), but I spent the extra cash for IMAX (well, the faux-IMAX that they have at the AMC at Franklin Mills Mall).

There's another reason I mention the whole DC Comics reboot. As with every iteration, the individual creators tend to make changes to suit their needs. (And at times those changes get into the comic books. The 1940s cartoons had Superman fly for the first time, instead of leaping from place to place; Kryptonite was introduced in the radio serials in 1943; the list goes on.)

Quick Review: Scott Pilgrim vs. The World

This is probably one of those movies that younger audiences will get, while the elders who dare to go might sit there scratching their heads. I think "Kick-Ass" had a similar problem, which is part of the reason it didn't do as well at the box office as some thought. And the same thing has happened to "Scott Pilgrim vs. the World," which is, like "Kick-Ass," based on a graphic novel series. Fortunately, as I am sometimes (but not always) more able to adapt to the ways of the youth than other cranky 48-year-olds, I rolled with it. It was like watching a cartoon, a video game, an action flick, a comedy and a romance all rolled up into one. Scott (Michael Cera) is the slacker 23-year-old bass player for the band "Sex Bob-omb" and, while he's all Michael Cera-y with that soft voice and gawky boyishness, he's also kind of a cad. An ex-girlfriend is the band's drummer, and he's currently dating a 17-year-old girl, and then starts cheating on her when he meets, and falls for, Ramona Flowers (Mary Elizabeth Winstead). Then Scott learns that Ramona has seven evil exes -- among them, movie heroes Chris "Human Torch" Evans and Brandon "Superman" Routh -- and that he must defeat them in battle in order for Ramona to keep dating him. Throughout the movie, but particularly in the fight scenes, there's a variety of graphic additions on-screen, from little pop-up notes about characters to TV-Batman "K-POW!" blasts during the fight scenes, to video game graphics and sound effects. It's funny and moves quickly, although there's a bit of a lack of logic now and then that even I can't completely overlook. And then there's the fine performance by Kieran Culkin as Wallace Wells, Scott's sarcastic (and gay) friend and roommate -- Wallace may be the funniest part of the movie. He's not the typical gay best friend by any means. He's a much more fully-formed character, and he has a love life. Which is interesting, since Wallace's and Scott's small apartment has only one bed. My grade: A-minus.