Gaga: Release The Damn Album, Already!

This post from one of the people I follow on Twitter inspired this. He wrote, "I don't think I can wait another 2+ months for the new Gaga album!" My reply: "I don't understand how the music industry functions any more." And I really don't. I used to not only read but subscribe to Billboard magazine (which is odd for someone who doesn't work in the business) during the 1980s and into the 1990s. And as the years went by and new charts were created, and the methodology for compiling the charts, especially the Hot 100, changed, and as the magazine itself evolved, I lost interest in it.

But things were simpler back then: a record company released the first single from an artist's upcoming album. Then, within a few weeks or so, the album itself would arrive, followed by subsequent singles from that album until it was time for a new album, or perhaps a single from a motion picture soundtrack. (Of course, the number of singles would depend on the popularity of the artist and album.) The advent of music videos tweaked the process a little.

But the modern process is unreal. Singles sales pretty much died until the mp3 format rejuvenated it. Now, I don't know if there's such a thing as a single release unless it's digital. The only CD-singles I ever see are for dance mixes. The only vinyl records I ever see are full-length albums, because there's a segment of the music buyer that prefers the sound of vinyl to digital sounds. And the newfound popularity of buying individual songs seems to have caused people to lose interest in buying full albums, except for certain acts or albums that manage to sell big.

The digital format seems to lend itself to leaks of unreleased songs, which is part of the problem. Let's get back to Lady Gaga.

Holy Crap! (No Pun Intended)

I don't know what is stranger about this 1973 musical version of "The Lord's Prayer" by one Sister Janet Mead:

• That it was certified as a gold record back when singles had to sell a million copies instead of the 500,000 it takes now
• That it went to #4 on Billboard's Hot 100 Singles chart
• That she's Australian
• That, listening to it just now, I remembered it instantly (reminds me of the Good Friday Birthday Incident of 1973; see #11 here), and even now I'd consider downloading it and putting it on my iPod

Return Of My Summer Playlist!

I stumbled upon a link to Billboard.com's compilation of their top 10 songs of summer (using a point system based on heir chart methodology) for every year from 1985 through 2009. Looking through their listings, I decided some additions to my summer playlist (Part 1 here, Part 2 here) are required. (I also am adding others to the list of songs I need to own.)

The following, however, are already in my iTunes library. Some I overlooked the first time around and others I've changed my mind about. I'm sure you will find some of them quite cheesy, but it could've been worse: I still left "MMMBop" off the list. Adding these songs and "Commander" (my song of summer 2010) to my original list, I now have exactly 100 summer songs.

Oh, and here's some pretty summer scenery: Hugh Jackman at the beach...


A View To A Kill - Duran Duran (1985)
Sussudio - Phil Collins (1985)
If You Love Somebody Set Them Free - Sting (1985)
Raspberry Beret - Prince and the Revolution (1985) - I can sing the hell out of this at karaoke.
Papa Don't Preach - Madonna (1986)
Invisible Touch - Genesis (1986)
On My Own - Patti LaBelle & Michael McDonald (1986)
Higher Love - Steve Winwood (1986) - Also a killer karaoke song for me.
Venus - Bananarama (1986)

They Don't Make 'Em Like This Any More

A little while ago on Facebook, the Diana Ross page linked to YouTube for her video for "Eaten Alive," a song co-written and co-produced (and with some backing vocals) by Michael Jackson and Barry Gibb. It's the title track from her 1985 album. According to Wikipedia it was #10 on the Billboard R&B chart but only #77 on the Hot 100 in 1985. I'm sure those numbers are correct since I used to subscribe to Billboard back in the day and really hit those charts hard, and I remember the song being a pop flop.

With the discussion over whether Christina Aguilera and Lady Gaga copied from Madonna in their recent videos -- and at this point, isn't everyone just copying each other? -- it's interesting to watch this bit of 1980s work, back when the short-form music video was still a relatively new format. And it's fascinating to see someone like Diana Ross in this type of video. It used to be all about the music, and then MTV came along and songs seemed to take a backseat to visuals, and we then saw veterans like Miss Ross (I love calling her that for some reason) in sometimes over-the-top productions. Wikipedia credits this video's airplay on BET for getting the song into the R&B top ten, but the song is such an odd piece of work, as is the video.

Compare and contrast with the song and video for Ross's follow-up, "Chain Reaction," which harkens back to her classic Motown days (but still has a couple of eccentric moments when the full-color shots arrive). Both videos are after the jump.