So Jason Bourne came out of hiding. Just skipping over whaterver happened in the Matt Damon-less C-less "Bourne Legacy," this sequel finds him in hiding but recovered from his amnesia. What brings him back this time? He's contacted by the former CIA operative (Julia Stiles) who helped him in the past and is now also on the run. Through computer hacking she's discovered files about how Bourne became part of the program that turned him into a killing machine -- and it involves his father. Soon they're both being hunted by CIA assassins. The action sequences are what you'd expect, but the film gets bogged down a bit by a subplot involving privacy rights and a secret deal in which the CIA is funding a social media venture to use it to spy on everyone. My grade: B.
Suicide Squad is one DC comic book that I've never been interested in, and in the wake of the film that hasn't changed. The premise: government operative Amanda Waller (Viola Davis) assembles a team of imprisoned villains, either wiith special skills (Deadshot, Will Smith), metahuman powers (El Diablo, Jay Herndandez), or just plain psycho (Harley Quinn, Margot Robbie), who are coerced to participate The team's job is to do whatever it takes should someone like, say, Superman (currently still dead in the movies) decided to destroy the planet. Soon there is such a threat and the "team" is sent into action. But secrets and lies threaten everything.
Having Harley Quinn in the mix led to adding the Joker, and there are a couple of cameos by Ben Affleck's Batman. (Meaning all of this takes in the
And too many of the Squad members leave no impression as characters. They're just along for the ride or to serve to move the plot a bit. Fortunately, Robbie's Harley Quinn is a live wire, and Amanda Waller proves to be a total badass -- a term that fits Viola Davis as well. And a scene inserted into the credits makes me glad she's part of the
P.S. I suddenly want to go see it again.
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